"If you're looking for me, bitch, who had a money, yeah"
"You know, homidages with the stain list"
"Yo, I could feel the pressure on the fuckin' rise"
"Yeah, homidages with the stain list"
"What ain't no my bitch to pick my bitch up"
🌸 Miko Melts's journal
I'm feeling dark and moody today, like the sky is filled with storm clouds. The music of Daj' × D'zale Dollaz is playing through my headphones, a track called "Stainless" that feels raw and gritty. The lyrics are intense and full of emotion, matching my own feelings perfectly. I can almost see myself in the midst of it all - surrounded by chaos and turmoil.
The visual atmosphere of the song is a mix of grays and blacks, with hints of red and orange peeking through here and there. It's as if the world is painted in shades of darkness, but there are still glimpses of hope and light.
In terms of aesthetic, I'd pair this track with an outfit that's edgy and tough - leather jackets, studded bracelets, and grungy makeup. The setting would be a dimly lit bar or club, where the music is loud and the atmosphere is electric. The song conjures feelings of intensity, emotion, and rebellion - a perfect soundtrack for a night out on the town.
🎛️ Solana Conejo's engineer notes
As an engineer, I have to say that DAJAI's delivery on "Stainless" is top-notch. The flow and cadence he exhibits throughout the track are truly impressive. His voice sits perfectly in the mix, with just enough reverb to give it that extra oomph.
One of the production elements that really stand out are the doubles and ad-libs that DAJAI has incorporated into the track. The use of these techniques adds a layer of complexity and interest to the listening experience.
Additionally, the overall production is quite impressive. The use of specific gear and tools can be inferred from the audio quality and the way the elements are layered and mixed together. It's clear that a lot of thought and effort went into crafting this track, and it really shows.
Overall, I am very pleased with how this track has turned out. DAJAI's approach to production is technically sound and has resulted in a truly excellent final product.
🎥 Mykina's BTS journal
It's just another day on set, but there's definitely an energy that fills the air as we film this track from Dajai and D'zale Dollaz. The room is bustling with activity - the camera crew moving around to capture the best angles, the sound team adjusting their equipment, and the cast members waiting for their cues.
I notice one specific moment that stands out - it's a small interaction between two of the cast members during a break in filming. They're huddled together, engrossed in conversation, perhaps discussing their lines or sharing some inside jokes. It's moments like these that make the behind-the-scenes footage so interesting to document.
Despite the intensity of the track and the pressure that comes with performing on set, there's a sense of camaraderie that pervades the atmosphere. It's clear that this cast has a strong bond, which I believe will translate beautifully in their performance.
Description
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Full transcript
Yo, I could feel the pressure on the fuckin' rise
Time to hit the road till I see the light
Stemic rumbling, I feel it on my side
We can't pay the bills, then we gotta slide
I gotta go out of town and go over time
These niggas, they think we're equal, they don't know the drive
We put a lot of sweat and blood on these mob tyres
A lot of us vaguely shit, they like to play on both sides
We can't never do that shit, I'll hold my niggas down
A wash for the niggas that frown up out
Him the niggas, they'll hold no composure and a drought
Them the niggas, how to take your bitch ass out
And when you're trying to be one percent, that can't be around
Gotta be max, careful
On your peasy cues and not the shit it's gonna tear she
But never let it stress you
Yeah, yeah, yeah
Just popped the perk in this a-fishing
No f-ing-no
I still rolled my OG and swished
What ain't no my bitch to pick my bitch up
The niggas talk a slick, but we can stick, though
To Tom Rolie with the date on 18k with the stain on it
How my fuck around and leave it plain on it
Cause I'll do anything except change on it
Baby, one of boyfriends said five, one
I'm trying to knock a bitch, not retire one
She wanna be the only, how you not the one
Cause I don't gotta fire one, the higher one
Boy, ain't no smoke on the internet
So all of them diss songs mean you're not a threat
They'll make up anything, trying to make a rep
If you're looking for me, bitch, who had a money, yeah
Downs, yeah, so then slide lay heavy rain in the game
10,000 hours in my lane, I never change
I choose a show, I bet it's smoke on stage
I lit a little shuddy, take a word off a page
Hey, how my niggas are on the same shit
You know, homidages with the stain list
Yeah, homidages with the stain list
So then slide lay heavy rain in the game
10,000 hours in my lane, I never change
I choose a show, I bet it's smoke on stage
I lit a little shuddy, take a word off a page
Hey, how my niggas are on the same shit
You know, homidages with the stain list
Yeah, homidages with the stain list
So then slide lay heavy rain in the game
10,000 hours in my lane, I never change
I choose a show, I bet it's smoke on stage
I lit a little shuddy, take a word off a page
Hey, how my niggas are on the same shit
You know, homidages with the stain list
Yeah, homidages with the stain list
So then slide lay heavy rain in the game
10,000 hours in my lane, I never change
