"And it gets so fucking civilian, niggas know, call me for money, niggas know I'm about to be in the city"
"Throw the shirt, the face of the sky, everything, open the shop, scratch the spot"
"Throw the shirt, the face of the fat and the sky"
"Throw me a fill in, throw the shirt, the face of the fat and the sky"
🌸 Miko Melts's journal
I'm feeling a mix of moods and visual atmospheres with this track. It starts off with a sense of urgency and tension, like something is about to pop off. The lyrics "And it gets so fucking civilian, niggas know, call me for money, niggas know I'm about to be in the city" set the tone for the song, evoking a feeling of being on edge.
The beat drops and my mind starts to wander. I see myself walking down a busy street at night, surrounded by the hustle and bustle of city life. The neon lights from the shops and bars reflect off my tattoos, casting an aesthetic glow over me. I'm dressed in a black leather jacket and ripped jeans, with my hair dyed blonde and spiked up.
As the song continues to play, I find myself lost in the lyrics. The chorus "Throw the shirt, the face of the sky" is particularly striking, evoking a sense of rebellion and freedom. I can almost feel the wind whipping through my hair as I speed down the street on my motorcycle.
The track takes a turn with the lines "Head up a moment, cring, I hope you're part of your children, that's like news, they've been in the middle." This part of the song feels more introspective and emotional. I imagine myself sitting alone in my apartment, sipping on a bottle of whiskey and lost in thought.
Overall, this track is a wild ride of emotions and visuals. It's a snapshot of my life, captured in music and sound.
🎛️ Solana Conejo's engineer notes
As an engineer, I noticed that DAJAI's delivery and flow were seamless throughout the track. The cadence was consistent, with a smooth transition between bars. His voice sat well in the mix, complementing the production elements.
From a technical standpoint, there were several doubles and ad-libs used effectively to add depth and interest to the vocal. Additionally, the stacks were layered thoughtfully, creating a sense of fullness without overwhelming the track.
In terms of gear, we used a Neumann U47 for the main vocal and an AKG C41 for doubles and ad-libs. The preamps were set to a clean, natural sound that brought out the best in DAJAI's voice. Overall, his approach worked well both creatively and technically.
🎥 Mykina's BTS journal
As the camera captures the intense energy of the $298,344 Freestyle track by HBU, I can't help but notice the behind-the-scenes action. The room is filled with a group of people, all engrossed in the performance. The mood is electric, and one can almost feel the adrenaline pumping through their veins.
As the track reaches its peak, I notice a specific moment where one of the performers makes an obscene gesture towards the camera. It's a stark contrast to the otherwise upbeat energy of the room.
Later, as the track winds down, I notice that one of the performers is visibly distressed. They are holding their head and looking off into the distance, lost in thought. Despite the lively performance, there's an underlying tension that cannot be ignored.
Overall, this shoot was a rollercoaster of emotions, filled with intense performances and moments of raw emotion. It's clear that this is not just a performance; it's a reflection of their lives, captured in music and video.
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Full transcript
Fuck that!
But you're not allowed, this gets you wet by the fingers, but what a mouth, how would you know if you didn't get the snitch?
And it gets so fucking civilian, niggas know, call me for money, niggas know I'm about to be in the city
Hey, if you ain't got a room, throw legs, miss a penny
For the one millimeter on plane chain, like peanut butter, blended
Head up a moment, cring, I hope you're part of your children, that's like news, they've been in the middle
Throw me a fill in, throw the shirt, the face of the fat and the sky
Throw the shirt, the face of the fat and the sky
Throw the shirt, the face of the sky, everything, open the shop, scratch the spot
Everything, open the shop, tear them, scratch the spot
Oh my god, hey, don't put the loving genes, you got 16, huh?
I brought the bitch of the drawer that told us it was fun
Thank you, bring the film back in a month
Pilly, I'm a blank
Mom, do it, so move
All I do is press the button
All you do is press the button
All you do is press the button
Anytime, call me
I can't use money that we are discussing
Lil' show you nothing
Who cranks you
Cause you're fresh
Fuck this stuff
Hey
You are wine
You are wine
You are wine
You are wine
