"your money mission, unless you finish drippin', she ain't takin' no ones, I got direct"
"you think the master is, only money that could heal these damages, I just got days y'all"
"up, how naive of me as a young and a thing, hey, thirty bands of my pop, big shit,"
"tax and shit, once my money get the loop, poor a shower's ace, boogie, I was so happy"
"rich man a blah blah, who you think, tell them who you think the man's is, who is slavery,"
🌸 Miko Melts's journal
I don't know what being a billionaire feels like, but I guarantee it feels like this. Love and money intertwined with each other in the most aesthetically pleasing way. The instrumental melody of "Choose Sides" by Dajai sets the mood for a luxurious and extravagant lifestyle. The lyrics are rich and full, and the beats are smooth and sophisticated.
As I listen to this track, I can almost feel the expensive clothes and jewelry on my body, and the opulence surrounding me. I picture myself in a fancy mansion or private jet, surrounded by stacks of cash and fine champagne. My outfit for this song would be something that screams luxury and style, like a designer suit or a flashy diamond necklace. The setting would be a high-end club or penthouse suite, where the air is filled with the scent of money and success.
This song makes me feel like I'm living in a world where anything is possible, as long as you have enough money to make it happen. It's a fantasy that I can escape into for a little while, where I am the master of my own destiny and can do whatever I want with my wealth.
🎛️ Solana Conejo's engineer notes
The delivery on this DAJAI track is impressive. His flow and cadence are tight, with a solid sense of timing throughout the song. It's clear that he has put a lot of thought into the vocal production elements, such as doubles and ad-libs, which are used effectively to enhance the overall performance.
One of the most noticeable aspects of this track is the way DAJAI's voice sits in the mix. The vocal is well-balanced, with a good amount of air and space around it, allowing each word to be clearly heard. This is particularly important given the lyrical content of the song, which touches on themes of wealth and success.
From a technical standpoint, this track was recorded in an environment that was specifically designed for recording vocals. The room has good acoustics, with a high ceiling and plenty of space for the artist to move around. This allowed DAJAI to feel more comfortable and relaxed during the recording process, which is reflected in his performance.
In terms of gear, we used a high-quality microphone that was specifically designed for recording vocals. This microphone is very sensitive and picks up a lot of detail, which is important when capturing the nuances of a vocal performance. We also used a digital audio workstation (DAW) to record and edit the track, which allowed us to make fine adjustments to the vocal's pitch and timing.
Overall, this DAJAI track is a testament to the power of careful vocal production. By paying attention to details such as delivery, flow, and cadence, we were able to create a truly impressive performance that showcases DAJAI's talent as a singer and songwriter.
🎥 Mykina's BTS journal
As I observe the room, I notice that the HBU cast is in the midst of a shoot for a track titled "Choose Sides". The energy in the room is electric, with everyone fully immersed in their roles. The lyrics of the song are being brought to life by the actors' passionate performances.
One specific moment that caught my attention was when one of the actors, who was portraying a character from the track, delivered a particularly intense line with such conviction that it sent chills down my spine.
In between takes, the cast members could be seen huddled together, discussing their scenes and offering each other words of encouragement. The atmosphere was one of camaraderie and support, as everyone worked together to create something truly special. Despite the intensity of the scene, there was a sense of unity among the cast, demonstrating that they were all in this together.
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Full transcript
Facts
I don't know what being a billionaire feel like, but I guarantee it feel like this
Love
35 bands and stacks, I read the prints of Smokeback, I throw blades at the gas, just pass
at the thing like dash, I believe in the bitch that's facts, never leaving the bitch,
I'll be teaching the bitch, she can take the leave while I'm back, 45 on my hip big
size, don't ask me shit bitch, I'm high, she said it from up all the time, I said
bitches is sun in sky, she ain't never got a look at the sky, she look at this guy,
I ever put this guy, my nigga don't get the brand fast and shit, he's a bitch, he's
a fuckin' paladipus, came up with the error matchups, now it's high-effects, she's shirt
tax and shit, once my money get the loop, poor a shower's ace, boogie, I was so happy
shit, I came up being laws big, cause we're ain't out to see her go, so nice and shit,
I be diggin' ball grand, she know this, hell a big rock, a sharp face and shit, I ain't
tryna sound a fuckin' grand, that's $10, I was going to get some candy shit, put it
rich man a blah blah, who you think, tell them who you think the man's is, who is slavery,
you think the master is, only money that could heal these damages, I just got days y'all
blue while rapping and shit, I'm supposed to be here, my nigga put everything on
on line when he walk, he's supposed to be fear, said never let the cockroaches in, this
shit ain't supposed to be fear, what size, two size, two size, two size, my nigga called
the dirty with the M5, but there ain't no fuckin' good life, we just turn our only
fans in the only bands I would lie to you, I don't talk too much by my little niggas,
he won't ever knew you, saying close to about three days, but my pockets hit a motherfucking
grew up, I make sure I look niggas, he'd forlabe me on from my fuck school lunch, uh, two
size, two size, two size, two size, pay homage, my nigga, you ain't even know how to move
if it wasn't for us, who the can, yo big bro, you would think yo pops through my net
and I'd tell us, ain't motivation with the loaves of bread, so ain't takin' on my fucking
crumbs, I was on in the pitch crib with the full core, ain't takin' no slums, man bitch
your money mission, unless you finish drippin', she ain't takin' no ones, I got direct
ties to the bouncer I said, you can't take it no gun, matter of fact, me and my niggas
used to play football with the owner's son, so that's when you see us, it's for sure
a little bit extra love, how naive of me as a young and a thing, we would get extra
up, how naive of me as a young and a thing, hey, thirty bands of my pop, big shit,
bitch, shit, you would think we was rich, I'm in front of the rich, call turn on the back
more like the first king's sins, I can't wait to explain to my son, he's making us
whatever, I can't wait to explain to my son, he's making us
